BAVL : Bendik Aurbakken Viking Laland ‐ Inventive & innovative, science artist & work researcher.

Bendik is, inspired to make: Abstract Graffiti & Psychedelia as Pompous Barouque, Art in Fluorescent Colour. And somewhat, from the: Expressionistic & Surreal, tradition. Bendik's visual theme, used to be: Ahead of, it's time. Bendik might also, have found a connection in between: General innovation / invention, and by Graffiti continuation & derivials. He has in some, of hes formulas: Described how Graffiti, can be both innovative & reinventive. This documentation is, rated to be of: Outstanding, research practice.

Date, published: 31/08-2018.

Date, modified: 31/08-2018.

Publisher: BAVL ‐ Bendik Aurbakken Viking Laland.

Photography, of: Bendik Laland ‐ Vectorized, in:
Adobe Capture @ iPhone.

Vectorised photography, of: Bendik Laland.

Curriculum vitaé / resumé / career & prestiege.

Exhibitions.

BAVL : art events.

  1. “BAVL : web site & portfolio.” 2015 ‐ Site, index page.

  2. “Darwin's Jesus : First Hunter.” 2012 ‐ Sitt Ned.

  3. “Hitching Spots & Areas.” 2011 ‐ Gallerie Gallerah ‐ Snipetorp.

  4. “Contacts & Cables.” 2010 ‐ Gallerie Gallerah ‐ Snipetorp.

  5. “Graffital Character & Abstract Symbol.” 2009 ‐ Sitt Ned.

  6. “Fading Sparks.” 2006 ‐ Sitt Ned.

BAVL : history.

History, in with: Stimulants.

By notifying, with a certain: Generation upon with, the times rolling. Bendik saw himself, devoted enough to: Drop down to water, as before being one year old. And, eventually: Get stoned, down again. Also later upon, being both in with the: Shaken & disturbed among, with kicking up snap by the house rave & dancer flashes. And only, by: Studying in with the contemporary, light as timed in room space. A huge swamp, of total shanga: Age & current degree have, also been captured as experience. This was, somewhat done with: General geography & history archive, flip outs. But mainly, investigated only by: Tradition in class with “Storms from inside of a Channel from the Strong Sun Art & Innocore, as being a Summon of the Float by a Mana Pool & Stream Flow.”

Self Portrait.

Art work, title: [#050.] “Self Portrait.”

Every attempt to roll out, a fictional & documented: “Tree” comes directly, from the churches & prayers noted. There should only, be a matter of: Strict enough, machine burial & security. And proper, root tied: Main station, secured by alarm. This also, excuses & makes all: Criminals stable in economy, proven because of the “lectural energy & room theory.”

Date, published: 11/12-2018.

Date, modified: 11/12-2018.

Publisher: BAVL ‐ Bendik Aurbakken Viking Laland.

Solstices.

Voulenteer work.

  1. “Chain, to: Encryption, stasis.” 2019 ‐ BAVL ‐ chain Documented possibly stronger, than the original.

  2. “Modern, Fence: Gate & Medium, Balance Unity.” 2019 ‐ antiBank, Currency & Value as Money, Deposit in Refresh Time by Clock.

  3. “Computer, Prayer: Publish, of Propaganda.” 2017 ‐ Rødt Vote Show & Voice Meter, dated at the New Government Entrance by Top Score.

  4. “Graffiti & Innovation Base Recipe for Science, Lost in Time.” 2017 ‐ Graffiti 2000 : Spit ‐ graffiti, research landing.

  5. (“VELOPT:) Break Down as Research, Pause & Science Rest.” 2017 ‐ BRIXTON Caps Branding for Resource Gain, until Project Relaunch by Council Advertisement.

  6. “Snap & Trap: Dance, with Feminism.” 2012 ‐ YouTube & the Ancient, Global Prostitution Movement.

  7. “Original, Pub Starter & Target: Selector (Community, Central Role.”) 2013 ‐ Folque, Pub & Café: First Video Launch, Capture.

  8. “12pm - New Unit Name @ clock, hour point dated: Time & format, code.” 2013 ‐ FaceBook Midnight Time, Displaying as: Half, a Day (12pm.)

  9. “Modernisation & Rewrite.” 2013 ‐ The Royal English, Language Centre.

  10. “Significantly of Money & Cash Donor, to the: Norwegian, Insurance Bank & Social Policy.” 2013 ‐ The NAV: Insurance Bank & Social, Policy.

  11. “Clean & Pure Strict, to the: Maximal & Contemporary Art Tribute.” 2013 ‐ NRK & TV2 : Camera Lens, Open Reflect & Scent.

  12. “A chain, of: Energy as, a forced machine.” 2009 ‐ BAVL ‐ chain, This was, before of the: “Prediction, piece.” And before, of the: Steven Hawkins, “space ‐ light ‐ time foundation.”

  13. “Signed, for the: u-Help Strategia & Product, Innovation / Development.” 2008 ‐ detail PDF works, Invention Portfolio.

  14. “First Lecture, unto the: Web 3.0 - Idea & Concept, Base Theory.” 2006 ‐ WHATWG & w3c, Trend Design Standards.

  15. “Minimal CSS: Origin & Start, Lecture.” 2006 ‐ WHATWG & W3Consortium Derivatives & Original, Research / Code Science.

  16. “Deep Heavy, Fuzz: Bass Guitar & Cover, Art.” 2006 ‐ Astrobrite & Old One, Riff Sponsor.

  17. “Cap Bond, Invention.” 2004 ‐ FlexFit One / All, Size.

  18. “Signed, as the: Graffiti, art master.” 1999 ‐ This Bendik About, Page: “Graffiti, King Diamond.” Later nicknamed, as: Spit & c⌝W35.

Prestige, of: Bendik, the artist.
Honour & glory.

The veloptive (BRIXTON) branded, formularies could: Replace, all invention. And enable, all: Innovation instant, as invention for anyone. Being, in a: Reinventive, code mold. The, first: Visual entries into language veloptions, might become highly valuable. These are from, the years: 2009 / 2010.

Bendik did, make a: Step, forward. By opening, for a possible: Textual, reinvention. Among with introducing inspiration for, the research of a: Processor by data, light stream. Bendik has, the aspergers benefit of: Narrowed & artistic, intelligence. Which makes him, especially: Great in, with the theoretic arts & technicals. He has, been an: Artist, since 1989. And he, set course for: Formula one / innovation technology / artificial intelligence. Already, in the year of: 1990. Then he, was only: Two, years old (2.)

Revolving Wheel.

Art work, title: [#074.] “Revolving Wheel.”

There was, a combination of: Mathmatic & function, descriptive. And still, after: 2015 and, the VELOPT finish. Bendik, is producing: Graffiti & artistic, manual mirrors. Of instant minus, minor in momentum being: Abstract & schematic, science / research. Upon geometric, logic of: Ultimate, symbolic shape. The VELOPT project falls inside, of the research category: “Innovation, of: Future, technologies. IT ‐ Research, on: Innovation technology / artificial, intelligence.”

This category, has been: Under, with research. Since, the: Baroque, ages. Firstly mentioned, as “the science of: Art & mythology.” Previously, being called “the road, to: Omniscience & nirvana.” In, the far: Eastern part, of the world. In, the: 1920's. The task, changed to “research, on: Formula № 1.” Among, with the: Rise of the first, electronic computers. Bendik knows and writes, about the: Computer, origin. As, a: Protest to the current & established, capitalism. Formula one is the, refreshing science of: Carbon based transmutation & inventive, innovation.

Bendik is hoping, to contribute inside of: Innovation technology. With, hes: Alphanumeric, calculator. Which, were sold: For further development, in 2013.

Date, published: 31/08-2018.

Date, modified: 31/08-2018.

Publisher: BAVL : Bendik Aurbakken Viking Laland.

Headlines.

News article, titles.

  1. “Performing the connection, in between of the: Relative speed, contra global radius. And, the: Connective, internet speed.” 2019 ‐ W3C., The, internet: First full web standard, pulled.

  2. “Plan Agreement & News of Hope, Release for: detail PDF works & the Industrial Development, unto a Final Finish & Work Practice of Beginning.” 2021 ‐ detail.pdf, Harvest Launch, unto that the Capitalism Capitulates.

  3. “Bomb Squad ‐ Spray, Can & Gas: Complete, Cut & Tool Replacement.” 2018 ‐ no.gov, Marker Brief & Analysis, of the Current Product & Nature Preservance.

  4. “Jewelry onto the Hack / Split into Silt Dust & Splint Powder, for a: Solar / Mirror Ray Portal & Stimulant, Beam from a Fragmental Rock / Corn Complex.” 2016 ‐ Council of CERN - Development (Innovative: Interests) Gem News & Crack Idea, Report.

  5. “Request & Coin, of: Thesaurus.” 2015 ‐ Thesaurus, Synonym Dictionary.

  6. “Bendik Vigil Laland.” 2014 ‐ VigiLand Norwegian, Human - Party Centrum.

  7. “A Girl that, once of a Sudden: Changed her Name, to Bendik.” 2014 ‐ BENDIK Music, Star Brand.

  8. “Documentary, of: Colour, Derivials.” 2014 ‐ NRK Laboratory Documentary, of Science.

  9. “All Graffiti, should be: Legal.” 2014 ‐ telemarksavisa, Article Support.

  10. “Root Inspiring, unto the: Light Processor, Invention” 2013 ‐ ExtremeTech.com, Innovative Research.

  11. “Marking, the: Contemporary, post age. 2013 ‐ ”diskusjon.no, Art Style.

  12. “Artist, who: Choose to, be Poor.” 2013 ‐ NRK, National Television.

  13. “uFrame by: detail, PDF works.” 2013 ‐ diskusjon.no, agreement deletion.

  14. “Shutting down, a: Pub & Capital by Limiting, with the Connected Night Community.” 2012 ‐ Telemarksavisa & Burlington, Arms.

  15. “Commenting, to a: Visual, Function Trend.” 2012 ‐ Varden Art Review & Graffiti, Propaganda.

  16. “Abstract 3D-Fiction, as Desktop: Backgrounds.” 2009 ‐ Microsoft Windows, Vector Geometry & Graphic Art.

  17. “Research Project, Code Name: (VELOPT.”) 2009 ‐ diskusjon.no, Thread Start.

  18. “Young & Promising: Artist.” 2006 ‐ Telemarksavisa, Interview.

  19. “Web design, contest: Winner.” 2006 ‐ FHM Web Redesign, of Model Pages.

  20. “Painted, on the: North Sea, Park Ramps.” 2006 ‐ Gvarv, Graffiti.

  21. “Painted Walls, in many: Private, Houses & on Wood Boards.” 2005 ‐ PD Graffiti, Early Days.

  22. “Painted, on: Some, Cars.” 2004 ‐ Jarlsberg Avis Graffiti, from Brevik.

School.
Signed profession.
  1. Manfred Evertz's, Professional: Courses.” 2012.

  2. kHIB.” 2007.

  3. Porsgrunn, Art: School.” 2004.

  4. King Diamond Street Spit Name, into Bombing / Graffiti Rise of: Technique & Style as Beginning, in Glam / Shine.” 2000.

  5. Gjerpen School.” 1998.

  6. “Baby Stoner.” 1989.

Main competence.

Proffesional degrees.

  1. “Fluid & Optimal, Generalism.” 6 / 6.

  2. “Mathematical, Characterisor.” 6 / 6.

  3. “Acrylic, Painter.” 6 / 6.

  4. “Markour & Line, Worker.” 6 / 6.

  5. “Inventor & Innovator.” 6 / 6.

  6. “Post Veloptivist.” 6 / 6.

  7. “HTML + CSS, ‐ Web Design.” 6 / 6.

Influensial adolescence.

Discovery, of the: Kaleidoscope.

When Bendik was a very young child, he asked his father: What that was the most, difficult work to do. Bendik's father answered, that it was: “Research, on formula 1.” This was, when Bendik decided: To be, a researcher. He was given, a short: Description on, what that formula 1 was. When he, concluded about: Setting up for, the future project. Later, the big disappointment: Came. He was, at the: Technical museum, in Oslo. Where he was playing, with a: Kaleidoscope.

He were, thinking that: The person behind of the kaleidoscope tool, has already invented formula 1! Still Bendik, could not: Understand why that the kaleidoscope, was there in the museum. And, not: The actual, formula 1. It was then, that Bendik figured: He was the one: That understood the connection, between the kaleidoscope and formula 1.

Paint stash, on the:
Trolley. A photography, inside of the: BAVL ‐ studio.

BAVL : studio ‐ Paint rest stash, on the trolley.

Although, that this: Tool. Might actually, have been: A fallen formula, within the field of research. Bendik decided to use his knowledge, about the kaleidoscope in: His future research, on innovation & technology. Bendik asked, his mom: “How can I make, a formula for everything?” She, answered: “Perhaps that, you can draw it? You that, are such of an: Artist!” Nobody remembers what, that the first drawing did: Look like. And, it's probably: Not, that important. After a little drawing, Bendik had figured that the kaleidoscope, were to be a: Key in the, whole setting.

He was, addicted to: Making attempts on formula 1, while drawing. Which is why, he completely, went 100 % into: “Artistic innovation, of formula 1.”

In the kinder garden, and in: Primary school, he was only drawing. Or, doing other: Kinds, of art. However he, still were: Listening to the teacher, while being filling out drafts. Which is how, that he could draw: General, school lessons. And attempt, to: Innovate with, the informals.

Bendik continued to study, like that throughout the: Middle, school. With his: Self learned, Graffiti styles. Later he studied at an art specialised school, where he archived: Top grades, in all art classes + geometry. During this period, some of the teachers decided to: Buy some of Bendiks works, for display in the school.

Further he has, studied at the: Bergen National Academy, of the Arts (khib ‐ 2007.) The true research project, and attempts on: Formula 1. Began, firstly in: 2009. Later, in: December 2014. He had made maybe ten, written formula attempts for: Innovation, invention & development.

Date, published: 31/08-2018.

Date, modified: 31/08-2018.

Publisher: BAVL : Bendik Aurbakken Viking Laland.

Further competence.
Degrees, beyond.
  1. “Researcher.” 6 / 6.

  2. “Art, Historian.” 5 / 6.

  3. “Analyst.” 5 / 6.

  4. “Calculator.” 6 / 6.

  5. “Originalist.” 6 / 6.

  6. “Designer.” 6 / 6.

  7. “Formulant.” 6 / 6.

  8. “Graffitant.” 6 / 6.

  9. “Image, Editor.” 6 / 6.

  10. “Geometric.” 6 / 6.

  11. “Descriptive.” 6 / 6.

  12. “Creative.” 6 / 6.

  13. “Colourist.” 5 / 6.

  14. “Print, Engineer.” 6 / 6.

  15. “Honour Glam & Prestige, Reputation.” 6 / 6.

  16. “Promoteur.” 4 / 6.

  17. “Scientist.” 6 / 6.

BAVL : curriculúm vitáe.

View, this: Resumé / CV as, a PDF file.

Describing the research project, codenamed: “VELOPT,” from the beginning.
1990 / 2015.
The, VELOPT:
  Logo type.

Project, code name: “VELOPT,” graphic logo type.

  1. yr 1990.

    Questioning & broadening, for: Establishing, foundation.

    Mostly spontanic, looking up: Technical & working, finesse. Experimenting, with: Results. Attempting, to construct & obtain: Informal machinery.

  2. yr 1991.

    Experimenting, with: Artistic & free, language.

    Challenged, to draw: Innovative. Informal & abstract: Analysis. Documenting & observing: Original mechanics. Abstracting: World, point of view.

  3. yr 1994.

    Automatic data bank & operational center, for: Analysis.

    Started, up on the: Hunt, for generalistics. Setting up, the generation for: Mobile machine & operational terminal. Attempting, to draw & obtain: Calculative innovation. Based, on the: Analytic, data bank.

  4. yr 1999.

    A, certain: Hinting. Onto: Graffital languages, in styles.

    Setting the: Standards. For, a variation in: Styled, language. Code naming, each: Styled, standard. Starting, the search for: Perfect drivels, inside installations.

  5. yr 2000.

    Creative & creational: Experiments.

    Research: Logic, in visual language. Calculative, innovation: Obtained. Up, to: Date. As the pencils, are sharpened. I figured, that i might be able, to dig: The, total “Cwes.” Up from any, of it's: Difference, points. Calculating, the: Language. Shaping, with: Massive, expansion.

  6. yr 2003.

    100%: 3-Dimensional & 3D-fictional.

    Geometric calculations, for: 3D & drivels. In such young days, of finding the: Final, formula uno. I realised, that i would spend, at least: 10, years more. With analysis, and: Manual research. And end, up with a tiny: Golden dust, of innovation. Attempting, to operate & obtain: Pure innovation, in process. Analyse it, and store it inside, the: Data, bank.

  7. yr 2005.

    Keying, informal: Manuals & schematics.

    For innovation, during: Transformal, processing. Opening, for: Transform & innovation. Symbol, with the: Variation & functions. Having, collected: Valuable, material. Inspiring, for: Innovation. All, further: Artistic research, on the subject. Was, put on hold, until: One, year. Of, plan work: Setup & installation, had passed.

  8. yr 2011.

    Presenting, the: “VELOPT, idea.”

    And, alerting about: Possible, innovative formularia. Pure, innovation: Obtained. Discussing, the: Possibilities. Attempting, to prove possible: Veloption. Starting research, on the: Veloptive formula. Attempting, to research & obtain: Innovative, ultimates.

  9. yr 2012.

    Mirroring, onto the: Future, solution.

    Binding, the: Instanced, immolations. Innovative, ultimates: Obtained. Lapsing, the: Light. With: Time & space. Attempting, to explain the: True future, mirror equal. And, perform a: Veloption.

  10. yr 2013.

    Equalising, the: Mirrored, future.

    And documenting, the: Mirror, Adjustments. Veloptive, calculation: Performed. Reversing, to the: Frontal, mirror. This year, of: Veloptive, innovation. Was performed, with: Success. An “aureka outbreak,” explaining the: Problem solved, were released. Attempting, to document & obtain: Mirror, equalisations.

  11. yr 2014.

    Constructing the instanced manual, titled: Last, first.

    Inscribed, with the: “*X*X” formularia. Constructed, with a complete: Central perspective, of lights. This year, the: Norwegian, research council. Buys: Four formula documents, from BAVL. The “*x*x” formula, gives a hint for: Equalised & future, mirrors.

  12. yr 2015.

    Alphanumeric: Differences, for derivial.

    One, singular & complete: Alphabetic mirror equal, was found. Reversing, to the: Frontal mirror. This, year of: Veloptive, innovation. Was performed, with: Success. An aureka outbreak, explaining the: Problem solved, were released. Project: End. Artistic manual, will continue with: Alphanumeric & predictive, mirrors.

BAVL : contact methods.

Contact methods. Write, a: Message, to Bendik. / Recruit Bendik, for: Artistic research & scientific, practice.

Doin'ke-Ti,Doin'ke-Ta,Roin'ke-Klumpe,Ti-Tong'ta.