Bendik Aurbakken Viking Laland ‐ Inventive & innovative, science artist & work researcher.
Bendik is, inspired to make: Abstract Graffiti & Psychedelia as Pompous Barouque, Art in Fluorescent Colour.
And somewhat, from the: Expressionistic & Surreal, tradition. Bendik's visual theme, used to be:
Ahead of, it's time. Bendik might also, have found a connection in between:
General innovation / invention, and by Graffiti continuation & derivials. He has in some, of hes formulas:
Described how Graffiti, can be both innovative & reinventive. This documentation is, rated to be of:
Outstanding, research practice.
By notifying, with a certain: Generation upon with, the times rolling. Bendik saw himself, devoted enough to:
Drop down to water, as before being one year old. And, eventually: Get stoned, down again. Also later upon, being both in with the:
Shaken & disturbed among, with kicking up snap by the house rave & dancer flashes. And only, by:
Studying in with the contemporary, light as timed in room space. A huge swamp, of total shanga:
Age & current degree have, also been captured as experience. This was, somewhat done with:
General geography & history archive, flip outs. But mainly, investigated only by:
Tradition in class with “Storms from inside of a Channel from the Strong Sun Art
& Innocore, as being a Summon of the Float by a Mana Pool & Stream Flow.”
Every attempt to roll out, a fictional & documented: “Tree” comes directly, from the churches & prayers noted.
There should only, be a matter of: Strict enough, machine burial & security. And proper, root tied: Main station, secured by alarm.
This also, excuses & makes all: Criminals stable in economy, proven because of the “lectural energy & room theory.”
“Significantly of Money & Cash Donor, to the: Norwegian,
Insurance Bank & Social Policy.” 2013 ‐ The
NAV: Insurance Bank & Social, Policy.
“Clean & Pure Strict, to the: Maximal & Contemporary Art Tribute.” 2013 ‐ NRK & TV2 : Camera Lens, Open Reflect & Scent.
“A chain, of: Energy as, a forced machine.” 2009 ‐ BAVL ‐ chain,
This was, before of the: “Prediction, piece.” And before, of the:
Steven Hawkins, “space ‐ light ‐ time foundation.”
“Signed, for the: u-Help Strategia & Product, Innovation / Development.” 2008 ‐ detail PDF works, Invention Portfolio.
“First Lecture, unto the: Web 3.0 - Idea & Concept, Base Theory.” 2006 ‐ WHATWG & w3c, Trend Design Standards.
“Cap Bond, Invention.” 2004 ‐ FlexFit One / All, Size.
“Signed, as the: Graffiti, art master.” 1999 ‐ This
Bendik About, Page: “Graffiti,
King Diamond.” Later nicknamed, as: Spit & c⌝W35.
Bendik, the artist.
Honour & glory.
The veloptive (BRIXTON) branded, formularies could: Replace, all invention. And enable, all:
Innovation instant, as invention for anyone. Being, in a: Reinventive, code mold. The, first:
Visual entries into language veloptions, might become highly valuable. These are from, the years:
2009 / 2010.
Bendik did, make a: Step, forward. By opening, for a possible:
Textual, reinvention. Among with introducing inspiration for, the research of a: Processor by data, light stream.
Bendik has, the aspergers benefit of: Narrowed & artistic, intelligence. Which makes him, especially:
Great in, with the theoretic arts & technicals. He has, been an: Artist, since 1989. And he, set course for:
Formula one / innovation technology / artificial intelligence. Already, in the year of: 1990. Then he, was only: Two, years old (2.)
There was, a combination of: Mathmatic & function, descriptive.
And still, after: 2015 and, the VELOPT finish. Bendik, is producing: Graffiti & artistic, manual mirrors. Of instant minus, minor in momentum being:
Abstract & schematic, science / research. Upon geometric, logic of: Ultimate, symbolic shape. The VELOPT project falls inside, of the research category:
“Innovation, of: Future, technologies. IT ‐ Research, on: Innovation technology / artificial, intelligence.”
This category, has been: Under, with research. Since, the: Baroque, ages. Firstly mentioned, as “the science of:
Art & mythology.” Previously, being called “the road, to: Omniscience & nirvana.” In, the far: Eastern part, of the world. In, the:
1920's. The task, changed to “research, on: Formula № 1.” Among, with the: Rise of the first, electronic computers.
Bendik knows and writes, about the: Computer, origin. As, a: Protest to the current & established, capitalism. Formula one is the, refreshing science of:
Carbon based transmutation & inventive, innovation.
Bendik is hoping, to contribute inside of:
Innovation technology. With, hes: Alphanumeric, calculator. Which, were sold: For further development, in 2013.
“Performing the connection, in between of the:
Relative speed, contra global radius. And, the: Connective, internet speed.”
2019 ‐ W3C., The,
internet: First full web standard, pulled.
“Plan Agreement & News of Hope, Release for: detail PDF works
& the Industrial Development, unto a Final Finish & Work Practice of Beginning.”
2021 ‐ detail.pdf, Harvest Launch,
unto that the Capitalism Capitulates.
“Bomb Squad ‐ Spray, Can & Gas:
Complete, Cut & Tool Replacement.” 2018 ‐ no.gov, Marker Brief & Analysis,
of the Current Product & Nature Preservance.
“HTML + CSS, ‐ Web Design.” 6 / 6.
Discovery, of the: Kaleidoscope.
When Bendik was a very young child, he asked his father:
What that was the most, difficult work to do. Bendik's father answered, that it was: “Research, on formula 1.” This was, when Bendik decided:
To be, a researcher. He was given, a short: Description on, what that formula 1 was. When he, concluded about: Setting up for, the future project. Later,
the big disappointment: Came. He was, at the: Technical museum, in Oslo. Where he was playing, with a: Kaleidoscope.
He were, thinking that:
The person behind of the kaleidoscope tool, has already invented formula 1! Still Bendik, could not: Understand why that the kaleidoscope, was there in the museum. And, not:
The actual, formula 1. It was then, that Bendik figured: He was the one: That understood the connection, between the kaleidoscope and formula 1.
Although, that this: Tool. Might actually, have been: A fallen formula, within the field of research.
Bendik decided to use his knowledge, about the kaleidoscope in: His future research, on innovation & technology. Bendik asked, his mom:
“How can I make, a formula for everything?” She, answered: “Perhaps that, you can draw it? You that, are such of an: Artist!” Nobody remembers what, that the first drawing did:
Look like. And, it's probably: Not, that important. After a little drawing, Bendik had figured that the kaleidoscope, were to be a: Key in the, whole setting.
He was, addicted to: Making attempts on formula 1, while drawing. Which is why, he completely, went 100 % into: “Artistic innovation, of formula 1.”
In the kinder garden, and in: Primary school, he was only drawing. Or, doing other: Kinds, of art. However he, still were:
Listening to the teacher, while being filling out drafts. Which is how, that he could draw: General, school lessons. And attempt, to: Innovate with, the informals.
Bendik continued to study, like that throughout the: Middle, school. With his: Self learned, Graffiti styles.
Later he studied at an art specialised school, where he archived: Top grades, in all art classes + geometry.
During this period, some of the teachers decided to: Buy some of Bendiks works, for display in the school.
Further he has, studied at the: Bergen National Academy, of the Arts (khib ‐ 2007.) The true research project, and attempts on:
Formula 1. Began, firstly in: 2009. Later, in: December 2014. He had made maybe ten, written formula attempts for: Innovation, invention & development.
Challenged, to draw:
Innovative. Informal & abstract: Analysis. Documenting & observing:
Original mechanics. Abstracting: World, point of view.
Automatic data bank
& operational center, for: Analysis.
Started, up on the:
Hunt, for generalistics. Setting up, the generation for: Mobile machine & operational terminal.
Attempting, to draw & obtain: Calculative innovation. Based, on the: Analytic, data bank.
certain: Hinting. Onto: Graffital languages, in styles.
Research: Logic, in visual language.
Calculative, innovation: Obtained. Up, to: Date. As the pencils, are sharpened.
I figured, that i might be able, to dig: The, total “Cwes.”
Up from any, of it's: Difference, points. Calculating, the:
Language. Shaping, with: Massive, expansion.
3-Dimensional & 3D-fictional.
Geometric calculations, for:
3D & drivels. In such young days, of finding the: Final, formula uno.
I realised, that i would spend, at least: 10, years more. With analysis, and:
Manual research. And end, up with a tiny: Golden dust, of innovation. Attempting,
to operate & obtain: Pure innovation, in process. Analyse it, and store it inside, the: Data, bank.
And documenting, the:
Mirror, Adjustments. Veloptive, calculation: Performed. Reversing, to the:
Frontal, mirror. This year, of: Veloptive, innovation. Was performed, with:
Success. An “aureka outbreak,” explaining the: Problem solved, were released.
Attempting, to document & obtain: Mirror, equalisations.
Constructing the instanced manual,
titled: Last, first.
Inscribed, with the:
“*X*X” formularia. Constructed, with a complete: Central perspective, of lights. This year, the:
Norwegian, research council. Buys: Four formula documents, from BAVL.
The “*x*x” formula, gives a hint for: Equalised & future, mirrors.
Alphanumeric: Differences, for derivial.
One, singular & complete:
Alphabetic mirror equal, was found. Reversing, to the: Frontal mirror. This, year of:
Veloptive, innovation. Was performed, with: Success. An aureka outbreak,
explaining the: Problem solved, were released. Project: End. Artistic manual, will continue with:
Alphanumeric & predictive, mirrors.